Distant Shores, 6 x 6″ monoprint
“All painting is an accident. But it’s also not an accident, because one must select what part of the accident one chooses to preserve.”
– Francis Bacon
The process of painting is a wonderful play between unexpected results and calculated decisions. Nothing is more pleasing to the artist than to be surprised by what you’ve done. I’m watching an instructional DVD on abstract painting at the moment and I can really relate to the instructors occasional gasps of pleasure at the effect of some brushstroke. Often the results are what we intended, but while those moments can be satisfying, I think more delight is to be had with the unintentional.
But it’s not all accident. As Bacon says, there is also some serious calculation going on as to what should remain and what should be discarded, covered up, redone. This process of editing is much more analytical but no less important to the success of the piece. Without this discrimination, the work ends up as a mish-mash of interesting little happenings that have little relationship to the whole. This is where you might have to reflect on what your overall purpose in the painting is, to get a little more intentional about it. While it’s fine to let the process itself dictate your path, the dialogue you have with the painting must be a two-way communication. At some point, it’s important to tell the piece what’s on your mind. The final word on the matter is when you declare the piece finished.
Then you are ready to begin a new conversation with a new piece – I could talk like this forever…