you go first, photograph
“I have been urged … to write about my paintings… Why? Haven’t I, in a way, painted them?”
– Charles Demuth
This quote is referenced in a wonderful short essay (Writing) by Robert Adams in his book, Why People Photograph. Adams discusses the topic of artists writing about their own work and makes some interesting observations.
As you might expect form the quote, Adams concludes that photographers (and artists in general) are not good at describing their own work and, in fact, do not want to do it anyway. Artists feel their work should speak for itself, be self-sufficient, and having to talk about it admits a modicum of artistic failure. Too much talk also risks the kind of over-analysis that can get in the way of spontaneous creativity. Since photography by its nature is often more representational and less subjective than painting, the public often feels more need to have the photographer describe their work to get at what they were feeling inside.
I know as one who has had to try to write about specific work in the past, it is extremely difficult and makes me feel very self-conscious. I usually feel that I’m tacking on these descriptions after the fact and that they were not really present at the time of artmaking or prior to it. Much of what I read from critics or other artists about their work gives me the same feeling.
What value is this post-analysis? Is there real benefit to oneself or others in attempting to truly describe one’s work from a sincere perspective. Can it provide insight into the creative process that allows others a deeper appreciation of your work? Can this effort force you to contemplate your own work in a way that might prove beneficial?
Ultimately I think that words are inherently insufficient to describe what is going on in the art as well as is the art itself. Words themselves are an art form. I’ve seen wonderful art which combines painting or photography with words, where both are equal partners in the product. Neither tries to explain the other. Can you imagine someone trying to explain a symphony by painting it? My wife, Susan’s, art journals are a great example of the power of combining words with visual art, rather than trying to use one to explain the other. I think it is useful to contemplate our own work but the effort to translate those ruminations into words useful to others seems doomed to failure.
Adams recommends that if we want to understand an artists work, the best strategy may be to look at the work of other artists that they like. The reflected light from that art may illuminate their work more than any direct explanation could possibly do.
By the way, I’d also like to announce the launch of my new website, www.bobcornelis.com, which replaces my old site (cornelisarts.com). I recommend taking advantage of the full screen mode in the galleries to see the best view of the work. Enjoy!