Doing it Twice

“There is no great writing, only great rewriting.”

Louis D. Brandeis

I often find myself comparing the creative process in different artforms in which I have some experience: photography, painting, music, writing in particular. It’s interesting to examine the similarities and differences. Sometimes it can be revealing and perhaps will cause you borrow some approach from one for use in another.

This quote speaks to the process of editing one’s writing. Of course there are small edits you make along the way, changing a word, rephrasing a sentence. But when writing anything of significance, usually there are drafts, whole versions which are re-examined and reconsidered in their entirety.

The process of making a photographic print  is similar. There are minor adjustments you make as you make your first print, but that print usually serves as a proof (like a first draft) and often multiple proofs with revisions are made before a final version is created.

In my experience painters don’t tend to incorporate this concept into their work as often. I know that there are often preliminary steps that can precede the final painting: value studies, sketches, even smaller versions done in a different medium (pastels as a study for oils, etc). But rarely does a painter actually repaint a painting – do it over.

Part of the reason may be that it can take a long time to complete a painting and it’s hard to think about doing it again. Rewriting a book draft can take a long time as well – one reason it can take years to complete a book. Part of it is that some of the spontaneity which can make a painting fresh when it is repainted could be lost. Writing and photography are perhaps more “studied” artforms where that spontaneity is not as important or even wanted. Music is an interesting comparison – the writing of music is more like writing a book, with many revisions possible. Musicians obviously repeat performances of the same piece many times – each is unique but clearly the same piece.

What is your experience? Are there times when you’ve “redone” a painting? How has that worked for you? Does it depend on the type of painting, the medium, the subject matter, etc.? What are your motivations for doing or not doing this?