How, Not What

standing tall, photograph

“When an artist is more concerned with what is said than how it is said there is no art.”

Anonymous

How, not what. What is static and one-dimensional, weighted down by reality. How is dynamic and multi-dimensional, revealing our personal vision.

This is why artists can return to the same subjects over and over and still create work that inspires or intrigues. In fact, some artists paint or photograph the same subject many, many times, intentionally challenging themselves to represent it in new ways. This in-depth exploration of a single subject can be both demanding and rewarding, forcing the artist to explore nuances and subtleties that the first few visits fail to elicit.

The most mundane of subjects can manifest the most sublime of art – because the art is not about the subject, it’s about how we tell you about that subject. And those stories are without limit.

Add to DeliciousAdd to DiggAdd to FaceBookAdd to Google BookmarkAdd to MySpaceAdd to RedditAdd to StumbleUponAdd to TechnoratiAdd to Twitter

Choose Your Weapon

DSC_0024

Enflamed, photograph

“If Velasquez were born today, he would be a photographer and not a painter.”

– George Bernard Shaw

I wonder whether painters from long ago would have chosen different, not-then-available art mediums. It’s curious to contemplate what kind of photographs Rembrandt or Vermeer might have taken had the camera rather than the brush been their chosen instrument. Both were masters of light so I’m sure they would have created rich and compelling work.

It’s interesting to me why more painters do not become better photographers. It’s very common for painters over time to tackle different mediums – watercolor, oil, collage, pastel, etc. Few in my experience become equally interested in the camera. Of course, everyone takes pictures – but I’m talking about practicing fine art photography where the photograph is a work of art in itself. Equally puzzling is why more photographers don’t also take up painting at some point as a way to expand their expressive arsenal.

Perhaps the disciplines are too different. I suppose it’s equally true that not many painters (or photographers) become sculptors, writers, actors, dancers, musicians, etc. For some reason I have found painting and photography to share more in common with each other than with these other artistic mediums. But perhaps to others, picking up the camera feels as foreign to them as would sitting down at a piano or playing Hamlet.

What draws one to choose painting or photography to begin with? Both produce visual images depicting our world. Both allow for a wide range of creativity and expression. Both are considered valid art forms. Have you ever asked yourself this question? Have you ever contemplated getting serious about painting or photography, whichever you don’t do now? If so, why have you chosen to do so or not?